How It’s Made
Material, Process & Intention at Amatua
There’s something sacred about making things with your hands. At Amatua, we don’t just design earrings and home decor objects — we shape each piece with care, thought and time. Our process is slow by choice. Because beauty, for us, is not about speed or perfection. It’s about presence.
The Material: Jesmonite
We work primarily with Jesmonite, an eco-conscious material that is water-based, solvent-free, and incredibly versatile. It allows us to experiment with color and form while staying kind to the environment. It’s also lightweight and durable — ideal for both home decor and wearable pieces.
Each mix is pigmented in-house using primary colors we blend ourselves — no two batches are ever exactly alike. That’s part of the charm. Tiny variations in tone, texture, and air bubbles make every piece unique.
“We embrace the irregularities — they remind us that we’re creating, not replicating.”
The Process: From Hand to Heart
We design most of our molds, often starting with simple forms: a 3D-printed master, an improvised shape made from existing objects, or even a hand-sculpted clay face. From there, we refine, test, and create durable silicone molds that give life to the final forms.
Our terrazzo pieces are crafted by hand. We pour, break, and remix small fragments of Jesmonite into new palettes — using leftovers and offcuts to reduce waste. This is sustainability not just in material, but in mindset.
Some pieces are also hand-painted, layer by layer, using brushes and custom palettes. It’s a slower step, but one we love — adding depth and intimacy to the piece.
Sustainability, as a Practice
We don’t see sustainability as a trend. For us, it’s a constant practice of being mindful — with our materials, our packaging, and our pace. We reuse where we can, work in small batches to avoid overproduction, and ship in recyclable, low-impact packaging. We’re always learning and improving.
In Every Detail
You’ll notice the softness of the edges. The slight imperfections on the surface. The terrazzo fragments that feel like little landscapes. These are not flaws. They are the proof of process — the visible echo of time, care, and intention.
This is what it means for us to make something real.
